Solid production values abound: Steven Kemp’s set is functional yet evokes various venues quite well. Sarita Fellows’ costumes are appropriate to the time; the boys’ uniforms hearken to the Brown Shirts worn by proto-Nazis a couple of decades later. Jake DeGroot’s atmospheric lighting really sets a mood as it directs our eyes to various parts of the stage.
REVIEW: “SPRING AWAKENING” @ ReVISION THEATRE
Project: Spring Awakening